What's going on here?

This is a blog on Billy Collins by Jonathan Eyer. At the heart of this blog is a poem by Billy Collins entitled The Afterlife and an essay of mine which takes a closer look at it. It was originally to be a presentation for a class in American Literature but, since my familiarization with Mr. Collins, I have developed a keen attachment to his work, an appetite for it, and have decided to keep this blog up and make a small hobby of it, to continue to relish and propagate these poems.

This page is dedicated to Mary Wentworth for turning me on to Billy and so many other incredible writers, for teaching me to never stop looking for new meaning in a text, for encouraging, validating and enriching my writing, for helping me through the semester when I'd lost nearly everything but the clothes on my back, and for her infectious positivity that so often brought my mind back to where it needed to be.

A special thanks to Charles Brogdon for showing me that blogs weren't just for the self-obsessed, for saving this blog when it was a corrupted hypertext document and for convincing me to transfer it to an actual Blog Publishing Application. "Getting it online is the only way to keep your crappy, crappy computer from ruining it." Wise words.

Another of His Poems



(Unnecessary note: "Three Blind Mice"   is a nursery rhyme, centuries old. The "Three Blind Mice"   link below is not the original, only an example of the melody for those who can't bring it to mind and want to hear the original melody to put Art Blakey's version in context. The link "run after a farmer's wife"   is for those who are a little shaky on the lyrics.)

NOTE: Links below do not need to be clicked. Just hover mouse over link to read comment.


 I Chop Some Parsley While Listening to Art Blakey's Version 
by Billy Collins

And I start wondering how they came to be blind.
If it was congenital, they could be brothers and sisters,
and I think of the poor mother
brooding over her sightless young triplets.

Or was it a common accident, all three caught
in a searing explosion, a firework perhaps?
If not,
if each came to his or her blindness separately,

how did they ever manage to find one another?
Would it not be difficult for a blind mouse
to locate even one fellow mouse with vision
let alone two other blind ones?

And how, in their tiny darkness,
could they possibly have run after a farmer's wife
or anyone else's wife for that matter?
Not to mention why.

Just so she could cut off their tails 

with a carving knife, is the cynic's answer,
but the thought of them without eyes
and now without tails to trail through the moist grass

or slip around the corner of a baseboard
has the cynic who always lounges within me
up off his couch and at the window
trying to hide the rising softness that he feels.

By now I am on to dicing an onion
which might account for the wet stinging
in my own eyes, though Freddie Hubbard's mournful trumpet on "Blue Moon,"

which happens to be the next cut,
cannot be said to be making matters any better.